Thanks to Rose
Dead and Gone Charlaine Harris. Ace, $25.95 (320p) ISBN 978-0-441-01715-7
Telepathic waitress Sookie Stackhouse braces herself for trouble when another group of supernatural beings goes public in her disjointed eighth adventure (after 2008's From Dead to Worse). Following the vampires' lead, the shape-shifters decide to step out of the woodwork and announce their existence to the world. While the initial reveal goes smoothly, the brutal crucifixion of a young werepanther behind the local bar makes Sookie wonder if the people of Bon Temps, La., are as tolerant as she thought. Meanwhile, the FBI is asking questions about Sookie's uncanny ability to locate survivors after an explosion, and trouble is brewing among the secretive fae. Harris tries to cram too much into a single story, and even die-hard fans of Sookie's adventures in print and on HBO's True Blood will complain about the plot gaps. (May)
Monday, April 6, 2009
By HARRY SHATTUCK Houston Chronicle
SHREVEPORT, La. – Kevin Costner and Ashton Kutcher in The Guardian. Costner and Demi Moore in Mr. Brooks. Josh Brolin in Oliver Stone's W. Ice Cube in The Longshots.
During the past two years, about 40 movie and TV projects have been filmed in and around Shreveport.
Upcoming movies filmed here include Three Stories About Joan with Bruce Willis and Owen Wilson, Beyond a Reasonable Doubt with Michael Douglas and Amber Tamblyn and The Year One with Jack Black.
A must-stop for film buffs is the $4.7 million Robinson Film Center, opened last summer in downtown Shreveport. Directors use the facility to view "dailies," and the public congregates in intimate theaters to see classics, documentaries and independent and foreign films. Friday night Freak-Outs feature horror movies. Tours can be arranged by appointment. Periodic Q&A sessions are scheduled.
The center also includes exhibits of Harry Potter and James Bond memorabilia.
One tip: Time your visit for lunch or dinner at the center's Abby Singer Bistro. We enjoyed a delectable roasted-tomato gazpacho, a lobster risotto salad and a spicy Thai burger (sweet chile sauce, cilantro, ginger, garlic and sriracha). I was tempted, too, by the bistro's X-Boyfriend and Bushwacker martinis, but it was only noon.
Shreveport-Bossier City tourism: 1-888-458-4748; www.shreveport-bossier.org.
I have lots on Shreveport and Louisiana here:
Dallas has not read any Twilight books or seen the Twilight movie. I would say we should defer to what Charlaine Harris would say to the question, "In a show down between the Twilight/ Cullen Vampires and the True Blood/Fangtasia Vampires who would win?"
By Genevieve Loh, TODAY online
SINGAPORE: It was the 13th day of a balmy January, on a non-descript Los Angeles studio lot that I first laid eyes on my first-ever vampire.
Pale-faced, seductive-eyed, fang-filled vampire Bill Compton (otherwise known as actor Stephen Moyer in full costume) swanned into the interview room straight from a “hot” set, shook my hand, and proceeded to crack some joke about “Cambodian disco dancing”.
To be honest, I couldn’t tell you what he was talking about or whether it was funny. I simply wasn’t listening. He was my very first live (if you can even call them that) vampire and I was... mesmerised.
It didn’t matter that he was, in reality, a British Shakespearean actor masquerading as smouldering undead bloodsucker in True Blood, HBO’s hit vampire drama series. I was fascinated by his bloodstained fingernails and intoxicated by his lascivious dark character.
I was so intrigued that I wanted to learn everything about this 173-year-old vampire’s world — a darkly humorous other world set in the deep South where he’s in love with a telepathic human waitress named Sookie (played by Anna Paquin who won the Golden Globe for her role) and quenches his thirst (but not necessarily his desire) for bloodsucking with a newly-developed synthetic Japanese concoction called Tru Blood.
I had been bitten and sucked into the very vortex of a recently revived and currently uber trendy global phenomenon known as The Vampire Obsession.
Somehow, during this seemingly innocent set visit of Alan Ball’s satirical new world where vampires have “come out of the coffin” to co-exist with humans, this reporter had inexplicably become a fangbanger.
For the uninitiated, a fangbanger, according to www.urbandictionary.com, is a human who is addicted to vampires and the like, to the point of fanatic fervour. The term also refers to “men and women that hang around with vampires and enjoy being bitten”.
Vampire groupies, according to Charlaine Harris, author of The Southern Vampire Mysteries, the series True Blood is faithfully based on.
It has to be said that I certainly do not enjoy being bitten by anyone — vampire or otherwise. So what is the eternal allure of those nightwalkers that make them so hot? Is it their eternal youth? The constant sexual allusions?
As a genre, vampire tales are pretty long in the fang, dating as far back as the 1700s and coming a long way since Bram Stoker’s 19th century novel.
Every generation has had its own pain in the neck, from Bela Lugosi, to Anne Rice’s The Vampire Chronicles, to those deliciously evil 80s teen vamps in Lost Boys, to the smart and sassy genre-defying TV series Buffy the Vampire Slayer, right up to the recent mega-hyped frenzied spectacle of Twilight.
Indeed, vampire lore has remained in the foreground of pop-cultural consciousness. It has, over the years, morphed from the demonic, repressed Victorian sex fiend to this millennium’s most-eligible bachelor. Along with George Clooney, of course.
SUCKER FOR LIFE
Perhaps the enduring popularity of vampires can be attributed to the fact that they are seen as allegories of what is happening in our own life.
And True Blood certainly has life’s allegories — prejudice, discrimination — within. It just depends on which way you read it.
Creator and producer Alan Ball (Oscar-winning writer of American Beauty and creator of the groundbreaking TV series Six Feet Under) told TODAY: “I don’t know how you can do a show with vampires and not have any sex in it. They are such a potent metaphors for sexuality,” said the 51-year-old, laughing.
“I feel that the show takes place amidst all the terrors of intimacy and physical intimacy, and that in a way, is part of the whole southern gothic thing... Sex and violence is a big part of this world. It’s a big pulpy crazy world.”
Read on: http://www.channelnewsasia.com/stories/entertainmentfeatures/view/420388/1/.html
True Blood premieres Thursday,9pm on MAX (StarHub TV Ch 59).
Head like a hole by NIN LYRICS
Thanks to KatieCatP