Our leading lady comes back from the brink of death and sets her sights on both Bill and Eric – while Antonia does the same.
In "Let's Get Out of Here," emotions are running high, and more dream sequences help us dive deeper into everyone's inner psyche. While a jarring reminder of the differences between reality and subconscious desires, the dreams have thus far served as a glimpse at the carefree camp that True Blood has slowly shifted away from. And, in the process, Sookie gives one hell of a performance as a seductress, feminist and supernatural heroine. "Let's Get Out of Here" is one of the most entertaining episodes of the season, all the more so for giving us a vivid reminder of the social commentary True Blood has been making since day one via the treatment and tangled interaction of its various supernatural species. Except for that one scene where the Lafayette storyline accidentally turned into an episode of Ghost Whisperer. But we're getting ahead of ourselves.
Tuesday, August 23, 2011
SUNDAY, SEPT. 4 “Soul of Fire”
As the Wiccan-vampire standoff reaches a critical juncture, Sookie (Anna Paquin) summons her faerie powers to prevent Marnie (Fiona Shaw) from bewitching Bill (Stephen Moyer), Eric (Alexander Skarsgård) and Pam (Kristin Bauer van Straten) into a suicide march, while Jesus (Kevin Alejandro) casts a secret spell designed to un-bind Marnie/Antonia and break the witch’s deadly defenses. Sam (Sam Trammell) settles a score with Marcus (Dan Buran); Alcide (Joe Manganiello) confronts Debbie (Brit Morgan) about her allegiances; Andy (Chris Bauer) finds unexpected passion in the forest; Lafayette (Nelsan Ellis) is consumed by the past.
SUNDAY, SEPT. 11 “And When I Die” (Season Finale)
It’s Samhain, Wicca’s greatest holy day, and spirits of the dead surface in Bon Temps, giving Sookie valuable allies to combat Marnie’s newest incarnation. Lafayette’s latest medium encounter imperils his relationship with Jesus; Jason (Ryan Kwanten) finds confession good for the soul, but not the body; Alcide makes a heartfelt appeal to the woman he loves; Terry (Todd Lowe) receives an unexpected visitor at Merlotte’s; Sam and Luna (Janina Gavankar) envision a storybook ending, for once; Nan (Jessica Tuck) wears out her welcome with Bill and Eric. Debbie confronts Sookie and Tara (Rutina Wesley) with deadly consequences, and the denizens of Bon Temps brace for a new crisis with a familiar face.
While Anna Paquin is larking through the season being a cheerfully aggressive Sookie sex toy, and the superb Irish actress Fiona Shaw is having a ball channeling a possessed palm-reader-turned-witch(es), the True Blood performance that just gets better — deeper, richer, wittier — belongs to Deborah Ann Woll as the ginger-haired, heart-on-her-bloody-sleeve Jessica Hamby.
In what’s shaping up as a surprisingly good True Blood season — surprising because the series is juggling scores of subplots and is eager to go over-the-top at the climax of nearly every scene — Woll is doing the teen vampire proud. In a Twilight world, it’s difficult to play an adolescent vamp for something more than heaving melodrama, but creator Alan Ball (who devised this character independently of Charlaine Harris’ source-novels) and Woll are collaborating to make Jessica a sympathetic character as well as a believably romantic, emotionally fragile, gratifyingly brave girl.
With only a few weeks away from the season 4 finale of "True Blood",
"As the Wiccan-vampire standoff reaches a critical juncture, Sookie summons her faerie powers to prevent Marnie from bewitching Bill, Eric and Pam into a suicide march, while Jesus casts a secret spell designed to un-bind Marnie/Antonia and break the witch's deadly defenses," description of the September 4 episode titled "Soul of Fire" read.
Also in the penultimate episode, "Sam settles a score with Marcus; Alcide confronts Debbie about her allegiances; Andy finds unexpected passion in the forest; Lafayette is consumed by the past."
Sookie fantasizes about a three-way, the Tolerance Festival has a trap -- and what's with the Taylor Swift song?
After last week’s Witches vs. Vampires tournament of champions, Alcide jogged a critically wounded Sookie back to her house like a good dog -- to the chagrin of Debbie, who followed. He’s intercepted by Bill, who grabs Sookie and whisks her home, opening a vein to heal her gunshot wound. Sookie doesn’t seem to be taking Bill’s blood, and he and Alcide get all metaphysical over her chances for survival.
Bill (improbably): "We can pray."
Alcide (bitterly): "A werewolf and a vampire, who's gonna listen?"
Bill (stiltedly): "That I do not know."
Which reminds me of a classic theological conundrum: How many werewolf bitches can dance on the head of a pin? (Answer: Dude, that's a dirty needle.)
During the battle, Marnie/Antonia activated her control spell on Eric and took him back to the Moon Goddess Emporium. Tara had a change of heart after Bill prevented Pam from killing her and is upset that Antonia didn't accept his offer of peace. Some of the witches, including Tara and waitress Holly, try to revolt, because it's all fun and Stevie Nicks songs until someone gets their throat torn out in a graveyard. Antonia's not having it, declaring that the witches are going to crash the Festival of Tolerance Event the vampires have planned for the next evening and nobody's leaving until she says so.