True Blood's Michelle Forbes on Maryann: She's Not a Villain

From TV Guide

Sunday's revealing episode of True Blood confirmed for us that the bull-headed monster who is stalking Bon Temps' ladies and Maryann are one and the same! How does the very pleasant Michelle Forbes reconcile her sunny portrayal of Maryann, "that Ibiza party girl," with the clawed she-beast who ripped out Miss Jeannette's heart? "Maryann lives in a different moral construct than the rest of us," she says, emphasizing that Maryann doesn't think of herself as a villain. Earlier, Forbes hinted that True Blood might look like Animal Farm by the season's end. Here, she talks about becoming the monster, why Maryann does what she does and, gulp, bestiality?

TVGuide.com: All right, level with us: What is Maryann really?
Forbes: I am maenad. [Wikipedia has a quick primer on what a maenad is.]

TVGuide.com: Is that really you under all those prosthetics?
Forbes: It is!

TVGuide.com: What kind of process did you have to go through to get into all that?
Forbes: Maryann, and what she turns into, was really created as we went along. They knew about the prosthetics for the claws, but it became something more as we went along. Some of the sounds the creature made were developed in post-production. But the claws just made everything come together, without a doubt.

TVGuide.com: How long did it take to get into all that?
Forbes: It really only takes an hour and a half, but it's very uncomfortable for the rest of the evening. You can't text; you can't make phone calls. People have to feed you sandwiches.

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Comcast Adds HBO, Cinemax to Online VOD Trial

From PC Magazine

Comcast will add content from HBO and Cinemax to its test of "On Demand Online," a program that lets Comcast subscribers watch TV online free of charge.

The 5,000 Comcast users included in the upcoming trial who also subscribe to the premium cable channels will be able to access content like HBO's "True Blood" and "Entourage" via Comcast.net and Fancast.com.

Comcast announced plans for On Demand Online last month, with Time Warner's TNT and TBS channels as its first partner. Last week, they added the Starz cable channel.

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True Blood in Louisiana

HBO, is making Clinton, the final resting place, for it's popular series, True Blood.

The cast and crew, spent the last week, in Clinton, filming for the current season.

The producers, announced the town of Clinton will be the center of all the action, as the fictional town of Bon Temps.

"Well, we were looking for a town that had a nice small town feel like our town of Bon Temps is supposed to have and Clinton fit the bill very closely",says executive producer, Gregg Fienberg.

"The locals they come up, they talk and you get that real authentic accent and that Louisiana swagger and you just sort of incorporate it, said Nelsan Ellis. Ellis plays the character "Lafayette", a short-order grill cook at Merlotte's.

Producers say they plan on shooting in Clinton as long as the town will have them.

Real-Life Bat Saved by True Blood Vampires

On top of the intense heat, breathtaking humidity and its action-packed tornado storyline, a tiny bat came tumbling out of a tree on the set of HBO's vampire series True Blood during weekend filming in Louisiana – to be saved by the crew.

While Steve Moyer (who plays main vampire Bill Compton) and his on-screen and real-life leading lady Anna Paquin (who plays heroine Sookie Stackhouse) watched with interest, crew medic Holly O'Quin fed the baby bat evaporated milk and egg whites, reports the New Orleans Times-Picayune.

O'Quin, a nurse, consulted with her brother, Jeff Galpin, an animal wrangler, for advice on caring for the injured bat and nursed it back to health using syringe feedings.

The hit Sunday night show gets some of its Louisiana authenticity by shooting in the sultry, moss-draped Southern landscapes, where the tiny town of Clinton was transformed into a tornado-thrashed backdrop.

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True Blood Sucker Punch: Episode 4 by Mark Blankenship

From Huffington Post
** Mark will be on Talk Blood radio with us next Sunday!

Welcome to Sucker Punch, the only blog post that ranks the gaudiest moments on this week's episode of True Blood.

I'd probably have guessed that series creator Alan Ball wrote this installment, "Shake and Fingerpop," even if I hadn't seen his name in the credits. Like American Beauty and many episodes of Six Feet Under, it unites multiple plot lines with a single theme.

In this case, the theme is "unexpected vulnerability." Almost all the major characters are weakened in some way, which creates a queasily exciting energy: We can sense a bomb's about to drop, but we can't quite tell where it's going to fall.

It makes sense for everyone to be vulnerable, of course, since we're entering the second quarter of the season. The first three episodes defined this year's major arc -- Maryann is powerful, there's a beast ripping out hearts, etc. -- and the next three will probably prepare everyone for the climactic conflicts in episodes six through twelve.

In other words... now that we know something crazy's going on, we need to understand that the Bon Tempians are susceptible to it.

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True Blood: TV with bite

From GQ Magazine

A steamy, delicious slice of Southern Gothic, with a side order of graphic sex and extreme violence, and some deep fried black comedy, HBO's bloody vampire saga True Blood begins its British run on FX on Friday night - before presumably, following the pattern of The Wire et al and switching to a more mainstream channel, by which time everyone who's even vaguely interested will have seen it on DVD or illegal download. (How long can this go on?)

However and whenever you're able to watch it, though, it's worth the effort: I've only seen the first two episodes, but already I'm hooked. True Blood is the latest offering from Alan Ball, Oscar winning screenwriter of American Beauty and the man behind Six Feet Under, HBO's long-running funeral home drama. In America, where it's already well into its second season, it has become the cable subscription channel's most popular show ever, outdoing even The Sopranos.

This doubtless has something to do with True Blood's direct appeal to a public entangled in one of its periodic obsessions with tales of the undead, from the extraordinary success of the Twilight franchise - books and movie - to the more nuanced charms of Let the Right One In, this year's surprise art-house hit from Sweden. As James Wolcott remarked in Vanity Fair, pop culture is sucking itself dry.

True Blood is strange, and dark, and adult, and there's a lot of subtext - the racism and homophobia metaphors are about as subtle as a bite to the neck - but it's also straight-ahead entertainment, without much of the complexity of HBO's previous hits. Not that there's any shame in that. As Ball himself put it, in an interview with the New York Times, "Women love the storytelling and the romance, and men love the sex and violence."

Set in the small town of Bon Temps, Louisiana, True Blood conjures a world in which vampires have recently come out of hiding to assert their rights as an oppressed minority. They've been able to do this because of the development, in Japan, of TruBlood, an effective synthetic human blood substitute that prevents them having to feed on mortals. It's available over the bar, or at the gas station.

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Charlaine Harris Sookieverse short story: Strange Brew

Random Reading blog tackles a review of "Strange Brew"

Strange Brew (2009) edited by P.N. Elrod

I love short story collections. They’re a way to discover new authors, visit with favorite characters, and to be honest I just enjoy short stories. Now if you like short stories, you eventually learn that a lot of collections are not worth buying, but there are certain authors that will cause me to buy an anthology on sight. This collection has several of those authors: Patricia Briggs, Jim Butcher, and Charlaine Harris.

As with most collections, there are some good stories, and some stories I didn’t like quite as well. For some reason, the stories I like the best seem to end up in the front of the book–which is unusual, because with Marion Zimmer Bradley’s Sword & Sorceress anthologies, that tended to end on very strong stories. This collection, not so much, which is always a little disappointing.

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Lafayette loves watching classic movies

No, you weren't crazy watching True Blood last night..

Yes, Lafayette was watching the classic The Seventh Voyage of Sinbad, by the animation genius Ray Harryhausen

I wrote before about Lafayette's TV watching HERE

True Blood’s Music Supervisor Gary Calamar Talks ‘Bad Things,’ The Soundtrack, And The New Season

How do you capture the musical hearts and souls of vampires? Ask Gary Calamar, the Grammy-nominated music supervisor on HBO’s hit drama True Blood, and he’ll tell you there’s no real formula, but it does involve plenty of creative “freestyling.”

Thanks to Calamar’s infallible ear, the dark, swampy atmosphere of the fictional Bon Temps, Louisiana is represented with pitch-perfect clarity in each scene, due in large part to backing tracks from authentic Bayou State natives like Lucinda Williams, CC Adcock, Allen Toussaint, and the legendary Dr. John.

When Calamar isn’t hunting down songs for True Blood, Dexter, and House (to name a few), he’s busy juggling a radio show on KCRW; The Open Road, and writing a book about record stores across America. Lucky for us, he took some time out of his non-stop schedule to talk about what it’s been like to work on his second Alan Ball show (the first was Six Feet Under), what his process is for choosing those steamy backwoods tunes, and what musical highlights are featured in the the recently-released True Blood soundtrack, all in time for Sunday night’s season two premiere.

I heard that Alan Ball found the opening title song, Jace Everett’s ‘Bad Things’ on iTunes, and you weren’t particularly taken with it at first. Yeah, it’s not that I wasn’t taken with it. It was almost too easy, or too perfect. It gave me the challenge to go out and try to find something even better.

Were there any runners up? We could never really come close. At the end of every conversation we never really got any better than what we had.

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True Blood Music Video of the Day: So Hott by Kid Rock

So Hott by Kid Rock LYRICS

Thanks, volz545

True Blood Playlist - Episode 2.04 'Shake and Fingerpop'

Playlist: True Blood - Episode 2.04

1. "Beni Beni (Acoustic)" - Niyaz: Tara informs MaryAnn she's moving in w/ Sookie

2. "Wrong Path" - Stock music from 5 Alarm Music: discussing Miss Jeanette's autopsy

3. "Walkin' in the Shadow of the Blues" - Little Charlie & the Nightcats: Tara checks in on Lafayette

4. "Rhythm Bound" - Steve Byers (via HDMUSICNOW): Sookie finds out Sam is leaving through Terry

5. "Louisiana Hot Sauce" - Sammy Kershaw: Jason fantasizes Sarah dancing

6. "Nowhere to Go" - Stock music from Black Toast Music: Sam cuts Andy off at the bar

7. "Shake and Fingerpop" - Junior Walker: Sam shows up at Tara's birthday party

8. "Dig" - Headbone ft Tense Young Man: Tara's birthday party revs up

9. "Wellness Farm" - Saafi Brothers (from album Midnight Children): Bill & Sookie check into hotel

10. "The Duel With The Skeleton" - Bernard Herrmann (From The 7th Voyage of Sinbad - YouTube): Lafayette watches TV/Eric at window

11. "Finale" (From The 7th Voyage of Sinbad) - Bernard Herrmann: Lafayette feasts on Eric's blood

12. "Watch My Mouth" - Cazwell: Lafayette dances after Eric's blood takes affect

13. "Aqua Dub" - Peyote Sound System: Bill & Eric talk in the hotel lobby

14. "Dig" (reprise) - Headbone ft Tense Young Man - closing credits

Thanks to the lovely http://drakelelane.blogspot.com/ for staying on top of these

With a Little ‘True Blood,’ HBO Is Reviving Its Fortunes

From The New York Times

The slump at HBO is apparently over.

In “True Blood,” the pay cable giant has its first hit since “Rome,” and the numbers indicate it may be the biggest thing on the channel since “The Sopranos.” If that sounds surprising, it may be because few saw it coming — inside HBO or out.

In the three episodes measured so far this, its second, season, “True Blood” has amassed viewer totals that any network, including broadcast networks, would be excited to own: 12.1 million, 10 million and 10.3 million. And HBO has attracted those viewers from an audience base about a third the size of fully distributed networks.

“This is hopefully a long-running franchise for us,” said Michael Lombardo, the president of programming for HBO.

In just about every way “True Blood” is a buoyant story for a network that needed one. Two years ago, the channel removed Chris Albrecht, the company chief executive, who had been widely credited as the creative mastermind behind the string of commercial or critical series successes at the network, including “The Sopranos,” “Sex and the City,” “Six Feet Under” and “The Wire.” (Mr. Albrecht was fired after being charged with domestic abuse in Las Vegas.) Since then, the network has been fending off charges that its once vaunted programming lineup was a thing of the past.

The new creative team, headed by Richard Plepler and Mr. Lombardo, began with a cupboard mostly barren, as shows like “John From Cincinnati” failed to catch fire and one long-running quality drama, “Big Love,” had to overcome tepid support from the previous regime.

Rivals like Showtime, which had their own string of critical successes with “Weeds” and “Nurse Jackie,” began using a new term for the network: “HB-Over.”

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Interview: Charlaine Harris

JON GAMBRELL THE ASSOCIATED PRESS
Published: July 12, 2009

INTERVIEW
MAGNOLIA, Ark. Vampires typically roam the fogged streets of London or the humid nights of New Orleans, opulent worlds filled with beautiful monsters and formal balls.

Trailer parks and honky-tonks didn't fit -- until author Charlaine Harris took a chance with a telepathic barmaid named Sookie Stackhouse.

Now, Harris' Southern Vampire Mysteries series has hit The New York Times' list of best-sellers, gained fans far beyond her south Arkansas town and inspired a television series on HBO. Though fueled by sex, violence and hints of humor, Harris' novels hold a mirror up to a South where race and societal change permeate through her prose.

Still, the mother of three said her only concern at first was finding something that would sell.

"I'm no crusader," Harris says. "I just like to make a point. If people get it, good. If they don't, OK."

Stackhouse's fictional hometown of Bon Temps, La., resembles the South in which Harris grew up, filled with waitresses who wear Keds sneakers and shop at Wal-Mart. Trailer homes dot the rural pastures of the north Louisiana town and pickup trucks fill the parking lot of the bar where Harris' heroine works.

For Kevin Durand, an associate philosophy professor at Henderson State University in Arkadelphia, life in Bon Temps evokes where his family once lived in Louisiana.

"As she describes the place, it's a place I've been," said Durand, who specializes in pop culture ghouls and vampires. "I've seen all of those things before."

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True Blood Episode 4

From Daemonstv

Jason

In this episode, Jason continues to become friendlier with Reverend Steve and his wife, Sarah, which actually fuels jealousy from some of the other people at the camp, especially Luke. He also gets put on a new mission. Can't wait to see how that one's going to turn out.

Oh and I have to mention my favorite quote, which is typical Jason:

Luke: "God will make sure evil gets punished."

Jason: "Yeah, then explain Europe to me."

You just have to love him, he just can't help it.

Sam

Sam's plans to leave town are being pushed back a little. And if you remember, at the end of last episode we saw that Daphne had a big scar on her back (which looked like the same one Sookie got). We don't learn much more about her scar, but her relationship with Sam does evolve, and there is a small reveal towards the end of the episode.

Tara

Tara makes a big decision in this episode, which impacts her living arrangements. It's also her birthday and let's just say Maryann has some big plans for her.

Lafayette

Poor Lafayette is recovering from his few days of nightmare. But let me tell you, there is this hilarious scene between Eric and Lafayette you don't want to miss. This is why so many people love his character.

Jessica

In the last episode, Bill interrupted Jessica and Hoyt's night together. Unfortunately, we won't see much of them in this episode, but something tells me it's not the end of their relationship.
Until then, Jessica ends up going to Dallas with Bill and Sookie. And I have to say, I really love her and I can't wait to see what kind of trouble she gets herself into during the trip.

Sookie

Sookie and Bill head to Dallas, but there is a surprise waiting for them at the arrival.
Also this week's cliffhanger involves Sookie, and is pretty damn cool if you ask me. I definitely didn't see it coming and I doubt you will either.

So don't forget to tune in to True Blood this Sunday, July 12, at 9pm on HBO.

From Rope of Silicon

Episode 4 of the second season begins at the Light of Day Leadership Conference as Jason tells the rest of his bunkmates he's moving out and just prior to a tough guy speech he removes his clip-on tie in a moment of hillbilly awesomeness, but it's not the last time he sets everyone straight. Later in the episode he's having lunch with Luke and another one of the Light of Day followers (sorry, I don't know his name) and the following conversation takes place:

JASON: I don't know who Lazarus was, but he sure as hell was not the first vampire. Everybody knows it was Dracula.

LUKE: It's in the Bible moron. Jesus brought Lazarus back from the dead.

JASON: So Jesus made the first vampire? Maybe Jesus was the first vampire. Man, he rose from the dead too, and he told people, "Hey y'all, drink my blood it'll give you special powers."

LUKE: Jesus never said that -

THIRD PARTY: The first vampire was Cain. Being a vampire is the mark of Cain. It's God's punishment for bringing the first evil into the world by killing his brother.

LUKE: No, the first evil was Eve, for eating the apple. That's why they call it Eve-il.

JASON: That wasn't even… That was just skirtin' the rules. Evil is making the premedicated choice to be a dick.

LUKE: One thing you can count on – God will make sure evil gets punished.

JASON: Yeah? Then explain Europe to me.

And yes, he says "premedicated" and not "premeditated". I listened to it three times to make sure. It's classic writing that raises an interesting religious aspect to the conversation all while maintaining the show's ability to make you laugh. On top of that, this show has found a perfect balance between using hillbilly nature as a comedic device all while never taking it so far it becomes stale or insulting.

The writers realize the absurdity of what is going on in "True Blood" is enough to make for comedic dialogue if approached with sincetiry. The best example I can think of — off the top of my head — is Detective Belflour's dedication to learning more about the pig he saw at Maryann's. Every time he brings it up it sounds ridiculous and makes me laugh just by the way he says "pig," but it is a completely legitimate storyline allowing for the joke to also serve as a storytelling device. Smart stuff.

Beyond that this episode has Bill admitting he is a self-hating vampire to which he tells Sookie, "I am a vampire… I am supposed to be tormented." Legitimate excuse. Sam and Daphne are getting closer as their skinny dipping session from the end of the last episode continues, but toward the end of the episode Daphne tells Sam she knows what he is… but now just what exactly is Daphne?

However, despite all of this, my favorite moment comes as Bill and Sookie head off with Jessica to Dallas to investigate the disappearance of the vampire Godric. There is a shot of Bill and Sookie in a limo that makes them look like the godfather couple of the vampire underworld as Jessica makes her first attempt to glamour someone. It is such a perfect picture, I can only hope it's the direction this show ends up taking things in the future.

http://www.ropeofsilicon.com/article/tv-review-tonights-true-blood-episode-2-04-shake-and-fingerpop

True Blood: Welcome to Dallas Sookie Stackhouse and True Blood ! Pt 2

Sookie Stackhouse ( Living Dead in Dallas )

...I'd forgotten the sprawl of Dallas, in the seven years since I'd graduated from high school. The lights of the city were amazing, and the busyness. I stared out of the windows at everything we passed, and Bill smiled at me with an irritating indulgence.

The lovely Objectdesire and I using the Charlaine Harris book 'Living Dead in Dallas' last year came up with some actual Dallas locations that fit the places described in the book.
None of the places mentioned in the books are actual places in Dallas except DFW Airport and Dealey Plaza. ( which has to be mentioned in any thing set in Dallas)

These are also NOT filming locations, from what we understand all the "Dallas " True Blood scenes are being shot in California. But we might see a stock photo of the Dallas Skyline or Dealey plaza shot to authentically set the locations as being here ...but it's Hollywood magic.

So, what we had to do is use the distances and locations as described in the books and come up
There are 7 locations, I will post the first 3 today and the last 4 tomorrow.

4.) Stan Davis' house, University Park, Dallas TX

Isabelle drives Bill and Sookie from their downtown hotel down Elm Street past Dealey Plaza to Stan's house in University Park. UP is a small exclusive city located inside Dallas proper and is just a few miles north of Downtown Dallas. http://www.uptexas.org/

Many of the new houses in University Park are boxy, beige brick and over-sized for the lot. I chose this one because of the big front windows that would have been fired into during the FotS raid on the house ...

We drove for at least twenty more minutes, leaving business areas and entering residential. At first the structures were modest and boxy; but gradually, though the lots didn't seem that much larger, the houses began to grow as if they'd taken steroids. Our final destination was a huge house shoehorned onto a small lot. With its little ruffle of land around the cube of the house, it looked ridiculous, even in the dark. I sure could have stood a longer ride and more delay. We parked on the street in front of the mansion, for so it seemed to me.

Bill opened my door for me. I stood for a moment, reluctant to start the—project. I knew there were vampires inside, lots of them. I knew it the same way I would be able to discern that humans were waiting. But instead of positive surges of thought, the kind I'd get to indicate people, I got mental pictures of . . . how can I put it? There were holes in the air inside the house. Each hole represented a vampire.

I went a few feet down the short sidewalk to the front door, and there, finally, I caught a mental whiff of human. The light over the door was on, so I could tell the house was of beige brick with white trim. The light, too, was for my benefit; any vampire could see far better than the sharpest-eyed human. Isabel led the way to the front door, which was framed in graduating arches of brick. There was a tasteful wreath of grapevines and dried flowers on the door, which almost disguised the peephole: This was clever mainstreaming.

I realized there was nothing apparent in this house's appearance to indicate that it was any different from any of the other oversized houses we'd passed, no outward indication that within lived vampires.

5.) Fellowship of the Sun Church ( and headquarters)

Now, we did find a local church that fit the description it was chosen because it fit the criteria of distance from downtown, large parking lot located on major streets
I won't name it her- publicly because I'm sure they are very nice people who DO not want to be associated with FotS. We actually pass a church every time we go to 'Bill's house " in NW Louisiana that fits the description to a 'T' See photo at left.

Hugo slowed and put on his turn signal when we came to a major intersection. We were about to turn into the parking lot of a large church; at least, it had formerly been a church. The sanctuary was huge, by Bon Temps standards.

Only Baptists could count that kind of attendance, in my neck of the woods, and that's if all their congregations joined together. The two-story sanctuary was flanked by two long one-story wings. The whole building was white-painted brick, and all the windows were tinted. There was a chemically green lawn surrounding the whole, and a huge parking lot.

The sign on the well-tended lawn read THE FELLOWSHIP OF THE SUN CENTER—Only Jesus Rose from the Dead.

6.) Hospital
The hospital where Luna and Sookie are treated after car accident. We think it's :

Baylor Hospital
3500 Gaston Ave Dallas, TX

The hospital was like all hospitals. Luna stuck to me like white to rice, and when we were in the same cubicle and a nurse entered to take down still more details. Lunasaid, "Tell Dr. Josephus that Luna Garza and her sister are here."I couldn't believe the massively self-assured Dr. Josephus had ever come down this tunnel before, but he seemed to know his way, and the staff didn't act startled at the sight of him. At the end of the tunnel, he pushed open a heavy metal door. Luna Garza nodded to him regally, said, "Many thanks," and wheeled me out into the night. There was a big old car parked out there. It was dark red or dark brown. As I looked around a little more, I realized that we were in an alley. There were big trash bins lining the wall, and I saw a cat pouncing on something—I didn't want to know what—between two of the bins. After the door whooshed pneumatically shut behind us, the alley was quiet. I began to feel afraid again.

7.)Bat's Wing Bar

The bar that Stan owns and where Farrell is kidnapped.
We think it's :
Lizard Lounge
2424 Swiss Ave, Dallas, TX 75204 http://thelizardlounge.com/

"Works in the club where he was last seen. It's one we own, The Bat's Wing." Bars were favorite enterprises for vampires, naturally, because their heaviest traffic came at night. Somehow, fanged all-night dry cleaners didn't have the same allure that a vampire-studded bar did. In the past two years, vampire bars had become the hottest form of nightlife a city could boast. The pathetic humans who became obsessed with vampires—fang-bangers—hung out in vampire bars, often in costumes, in the hopes of attracting the attention of the real thing. Tourists came in to gape at the undead and the fang-bangers. These bars weren't the safest place to work.

Talk Blood Ep. 4 live right after True Blood tonight !

Live TONIGHT: Talk Blood after True Blood let's talk ep.4 "Shake and Fingerpop"

It's Sunday night again! We've got a whole night of fun planned starting with the the premiere of True Blood Season 2, Episode 4 "Shake and Fingerpop"

And to make sure you keep the party going, be sure to join @TrueBloodDallas of Loving True Blood in Dallas and @SookieBonTemps because we're going to Talk Blood on True Blood live on Blog Talk Radio. Here's how tonight is going to flow:

• 8:00pm CDT / 9:00pm EDT: Watch True Blood with @SookieBonTemps who'll be tweeting live from Merlotte's
• 9:oopm CDT / 10:00pm EDT: Tweet @SookieBonTemps and tell her what you thought of the show.
• 9:15pm CDT / 10:15pm EDT: Talk Blood after True Blood chatroom on Blog Talk Radio opens. Join us here.
• 9:30pm CDT / 10:30pm EDT: Talk Blood goes live! Join in the fun here or call in at 646.929.0825 and tell us what you thought of tonight's episode!


We hope you'll call in. And if you can't, tweet @SookieBonTemps who'll be reading and reacting to tweets LIVE!
** Talk Blood after True Blood on Blog Talk Radio is created by fans for fans. Endorsed by but not affiliated with HBO or True Blood.

Email 'Dallas' or @SookieBonTemps about the show talkblood@gmail.com
New show Blog http://talkblood.blogspot.com/

Talk Blood ( true Blood ep 4 ) Chatroom transcript

True Blood Music Video of the Day: Whole 'Nutha Thang by Keb' Mo

True Blood women: Whole 'Nutha Thang by Keb' Mo Lyrics

Thanks, sfrox2