Only some of these shows suck
Sesame Street doesn’t count
Is it possible that
Sesame Street’s debonair Count von Count may have predisposed the current generation of TV watchers to regard most vampires as gorgeous rather than grotesque? Almost all of the television Undead are portrayed with some level of allure; for the hundreds of disposable vamps staked by
Buffy the Vampire Slayer, there’s always the dangerously attractive Angel, Drusilla, and Spike.
![Image](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vX4H5lnkZIhUeCx3oQ7G3rCv3vPizLuJM6Nce8yAD5QDONKUISyzc9m8_LBZpm-rOV30f49-ugb4jl3BH0h5OvtJCYSYyU89w8fKlvAORqJk91VqLjOWq5ppK__4YkP8Pw=s0-d)
The classic vampiric traits of sensuality, immortality, violence, and angst can add appeal to almost any story. Even relatively obscure shows inspire devotion, with fans of
Forever Knight’s vampire detective Nick Knight or
Blood Ties’ Henry Fitzroy showing up to passionately plead their case in the comments of the omnipresent Internet polls asking readers if they prefer the Zeitgeist-dominating vamps of
Twilight,
The Vampire Diaries, or
True Blood.
Modern vampires quickly made the jump from literature to film, but their small-screen presence has increased sharply as of late.
Dark Shadows began featuring a recurring romantic undead character in 1966, and vampires began to manifest in programs such as ’70s supernatural detective show
Kolchack: The Night Stalker and
Dr. Who.
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